Back in New York, they bought a 1918 Cubist still life by Braque and a Congo fetish figure, establishing their collection’s dual concentration on modern and non-Western art. It made Pollock himself so happy that he threw in “Echo: Number 25, 1951,” one of his quasi-figurative black enamel paintings.There were also pieces by Clyfford Still, Robert Motherwell and Ad Reinhardt, as well as (The thought of all these sizable pieces making their way in and out of crates to and from seven museums would give today’s conservators and insurers nightmares.
He recognized something colossal in American culture. He started the whole thing.”Mr. Ben Heller (1925–2019) Ben Heller, a New York art collector, dealer, and early advocate of Abstract Expressionism, died on April 24 in Sharon, Connecticut. Americans were outraged because they felt their heritage was being given away to a foreign nation. Today it is a regular stop for Australian schoolchildren.James Mollison, the young director of the National Gallery and the initiator of the purchase, went on to build one of the best collections of Abstract Expressionist paintings outside the United States.In an email, Ann Temkin, chief curator of the Museum of Modern Art’s department of painting and sculpture, called Mr. Heller “an essential figure in the history of Abstract Expressionism” and said he had “fearlessly championed the art he loved even as others found it incomprehensible.”Andrew Fabricant, the chief operating officer of the Gagosian galleries, said in a telephone interview: “You’re not going to see anyone like him again. Undoubtably Heller, like all of us, simply bought what he liked based on what he saw. Its more than 30 paintings and drawings included seven canvases by Mark Rothko and four by Barnett Newman (among them his most important canvas, the 18-foot-across, flaming-red “Vir Heroicus Sublimis,” purchased just months earlier) and three works each by Willem de Kooning, Franz Kline and Pollock.The Pollocks included “Blue Poles” and “One: Number 31, 1950,” a mural-size classic drip painting that Mr. Heller bought in about 1956 for $8,000. Collectors and art dealers were scarce, and the same group of people, mostly artists, showed up at all the openings.He was wealthy, well educated, curious and highly opinionated, and he grew up loving music and literature. It very much did.In Australia, the purchase was controversial because “Blue Poles” was American rather than Australian, abstract rather than figurative and very, very expensive. It is not just art dealers and curators who determine which artists have a seat at the table. He is survived by his wife; his daughters, Patti Adler, a retired professor of sociology, and Deedy Mishler, a web designer; his son, Woody, a Manhattan realtor; his sister, Naomi Heller Rosenbloom; his stepchildren, Nikko Sedgwick, a painter, and the actors Rob Sedgwick and Kyra Sedgwick; 11 grandchildren; and six great-grandchildren. Ben Heller, an influential New York art collector and dealer best known for his early embrace of Abstract Expressionism and the sale of one of its masterworks to an Australian museum, which caused an international furor, died on April 24 in Sharon, Conn. But, with time, it would be embraced as a national treasure and a turning point in the country’s coming-of-age as a nation separate from Britain. Today, Australians see “Blue Poles” as a beloved national treasure. But when it became clear that the board would not approve the purchase, Mr. Heller simply gave the painting to the museum. View Ben Heller’s artworks on artnet. He would later be a nationally ranked amateur squash player, a scratch golfer and a founder of the Artists and Writers Charity Softball Game in East Hampton, N.Y.He graduated from Fieldston in 1943, attended Yale for a semester and then enlisted in the Army, serving as a Morse code radio operator and sharpshooter.
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