The Portrait of Dorian Gray is the obvious correlation to Portrait of Jennie in their respective subjects being immortalized on canvas. "Portrait of Jennie," the title song written by J. Russell Robinson, subsequently became a hit for Nat King Cole. Use the HTML below. Beneath the romantic trappings, Portrait of Jennie is a meditation on passion, fulfilment and the transformative power of art. Joan Fontaine starred in the adaptation. [6] Upon its release, The New York Times reviewer Bosley Crowther called it "deficient and disappointing in the extreme;"[7] but the Variety reviewers found the story was "told with style, taste and dignity. But the idea of a time-traveler, a ghost, a haunting is really one in the same. The New York shooting enabled Selznick to use Albert Sharpe and David Wayne who were both appearing on stage in Finian's Rainbow, giving an Irish flair to characters and the painting in the bar that was not in Nathan's novel. Eben Adams, a name only a few letters removed from Ansel Adams, has talent but little application for it. Dimitri Tiomkin used themes by Claude Debussy, including Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun), the two Arabesques, "Nuages" and "Sirènes" from Nocturnes, and La fille aux cheveux de lin, with the addition of Bernard Herrmann's "Jennie's Theme" to a song featured in Nathan's book ("Where I came from, nobody knows, and where I am going everyone goes"), utilizing a theremin. He soon falls in love with her but is puzzled by the fact that she seems to be experiencing events that he discovers took place many years previously as if they had just happened. Want to share IMDb's rating on your own site? I find it interesting that there seems so much ink spelled on discussing whether this is a ghost story, or a time-travelling romance. After a filming start in February of 1947, Selznick was unhappy with much of the material he was getting, and frustrated by bad weather. Eventually he learns the truth about Jennie and though inevitable tragedy ensues, she continues to be an inspiration to Eben's life and art, and his career makes a remarkable upturn, commencing with his portrait of Jennie. The rise and fall of Stanton Carlisle, a mentalist whose lies and deceit prove to be his downfall. See All. He was posthumously nominated for an Academy Award for Best Cinematography. The film features Joseph H. August's atmospheric cinematography, capturing the lead character's obsession with Jennie, amongst the environs of a wintry New York. Was this review helpful to you? The final shot of the painting, appearing just before the credits, was presented in three-strip Technicolor. Although, where Dorian’s portrait keeps his soul, Jennie becomes tangential, acting as Eben’s muse. Portrait of Jennie is a 1948 fantasy film based on the novella by Robert Nathan. His wife Peggy and he have five children. . Bart is a clerk for a publishing company. A mysterious girl inspires a struggling artist. An adventuresome young man goes off to find himself and loses his socialite fiancée in the process. New Orleans newspaper columnist, about to retire, tells the story of a most unforgettable character, boxer Socks Barbarossa. The song Portrait of Jennie was written by J. Russel Robinson and Gordon Burge and was first recorded and released by Ronnie Deauville in 1948. Portrait of Jennie requires its viewers to take a leap of faith. Rob McConnell and the Boss Brass recorded a popular version of "Portrait of Jenny" heard widely on jazz radio stations on their 1976 LP The Jazz Album featuring Guido Basso. Its mood lingers in the heart and its planes challenge the mind." William Dieterle’s 1948 masterpiece Portrait of Jennie also supports this idea. At the 21st Academy Awards, it won an Oscar for Best Special Effects (Paul Eagler, Joseph McMillan Johnson, Russell Shearman and Clarence Slifer; Special Audible Effects: Charles L. Freeman and James G. Stewart). The film was directed by William Dieterle and produced by David O. Selznick. The film was directed by William Dieterle and produced by David O. Selznick. It is told with tenderness and with beauty. The portrait of Jennie (Jennifer Jones) was painted by artist Robert Brackman. Landscape painter Eben Adams (Joseph Cotten) is scraping a living in the bitter winter of 1934 by hawking his uninspired canvases. But her obsessive love for him threatens to be the undoing of them both, and everyone else around them. For the Robert Nathan work on which the film was based, see, For example, it was one of the top fifty Fantasy Films nominated by the AFI in 2008 -, CS1 maint: bot: original URL status unknown (, "Selznick's 'Portrait of Jennie,' With Cotten and Jennifer Jones, Opens at Rivoli", "Portrait of Jennie is an unusual screen romance. Portrait of Jennie is a 1948 fantasy film based on the 1940 novella by Robert Nathan. Joseph Cotten's performance as Eben Adams won the International Prize for Best Actor at the 1949 Venice International Film Festival. The story deals with Gloria Vanderbilt's difficult coming-of-age when, at eleven, she was a pawn in a custody battle between her sybaritic mother and her aunt. In 1916, a shadowy serial killer is targeting women with "afflictions"; one night during a thunderstorm, the mute Helen feels menaced. But when he returns 10 years later, she will stop at nothing to get him back, even though she is already married. Eben encounters Jennie at intermittent intervals. The film is recognized by American Film Institute in these lists: Portrait of Jennie was presented on the radio program Academy Award on December 4, 1946. "[8] Later film critics have also given the film strong praise: for example, Leslie Halliwell wrote that it was 'presented with superb persuasiveness by a first-class team of actors and technicians'.[9]. This inspires him to paint a portrait of Jennie. Portrait of Jennie Synopsis: Eben Adams is a talented but struggling artist in Depression era New York who has never been able to find inspiration for a painting. You must be a registered user to use the IMDb rating plugin. It stars Jennifer Jones as the title character (a coincidence, not The Danza) and Joseph Cotten as Eben Adams, the artist she inspires. A man is reunited with his childhood friend and her husband, who believe he knows the truth about the death of her rich aunt years earlier. Portrait of Jennie is a 1948 film based on the novella by Robert Nathan, directed by William Dieterle and produced by David O. Selznick. Portrait of Jennie. The film was directed by William Dieterle and produced by David O. Selznick. Portrait of Jennie is a novel by American writer Robert Nathan, first published in 1940. 'Portrait of Jennie' will perhaps most vividly recall Balderston's 'Berkeley Square,' for, like that, it is a love story that transcends the boundaries of time. AKA: Tidal Wave, Jennie. A tale of love between a spirit and a man of flesh and blood, the union of … This novel is a masterpiece of fantasy and romance. It stars Jennifer Jones and Joseph Cotten. This story combines romance, fantasy, mystery, and the supernatural. One day, after he finally finds someone to buy a painting from him, a pretty but odd young girl named Jennie Appleton appears and strikes up an unusual friendship with Eben. Eben Adams is a talented but struggling artist in Depression era New York who has never been able to find inspiration for a painting. View production, box office, & company info. [citation needed] It was revisited in 1958 by pianist Red Garland on Manteca, and again in 1966 by jazz trumpeter Blue Mitchell on his Bring It Home to Me. Before the film proper begins, the title is announced by the narrator (after delivering a spoken prologue, he says, "And now, 'Portrait of Jennie'"). Enigmatic Jennie (Jennifer Jones) appears once more in Central Park, this time for a twirl on the ice with artist Eben Adams (Joseph Cotten) in Portrait of Jennie, 1949. Although this instrumental version of the song was arranged by Neal Hefti for the date, the melodic line is close to what Nat King Cole had recorded in 1948. One day, after he finally finds someone to buy a painting from him, a pretty but odd young girl named Jennie Appleton appears and strikes up an unusual friendship with Eben. Portrait of Jennie (1948) cast and crew credits, including actors, actresses, directors, writers and more. At the 21st Academy Awards, it won an Oscar for Best Special Effects (Paul Eagler, Joseph McMillan Johnson, Russell Shearman and Clarence Slifer; Special Audible Effects: Charles L. Freeman and James G. Stewart). Albert Sanchez Moreno (a.moreno@mindspring.com) with correction by John Knoderer (GodLovesEveryone.org@mazes.com). The scene that featured Jennie doing a dance choreographed by Jerome Robbins took over ten days to film,[4] but was not used in the completed film. A mysterious girl inspires a struggling artist. The screen's most romantic team!. Portrait of Jennie subtitles. With her husband away to fight in World War II, a housewife must care for their two daughters alone. Written by Robert Nathan’s “Portrait of Jennie” is a poetic, haunting and beautiful surprise of a novel. Directed by William Dieterle. Portrait of Jennie is a 1948 fantasy film based on the 1940 novella by Robert Nathan. Strangely, she appears to be growing up much more rapidly than is possible. PORTRAIT OF JENNIE Directed by William Dieterle, written by Paul Osborn and Peter Berneis Review by: Brittany Alyse ”I know we were meant to be together. Joseph H. August was also nominated for an Academy Award for Best Cinematography - Black and White. He makes a sketch of her from memory which involves him with art dealer Miss Spinney (Ethel Barrymore), who sees potential in him. Portrait of Jennie requires its viewers to take a leap of faith. She ... See full summary ». He had optioned the Robert Nathan story at least as early as 1944. It was filmed but deleted when it looked as if Jennie's hair was blending into the tree next to her. Allen Quinton writes a fellow soldier's love letters; tragedy results. The latter was born in Odessa in Russia and moved to the United States at the age of ten. Keep track of everything you watch; tell your friends. The fantasy centers on Jennie as a character. Who/what is 'Shan Van Vocht' mentioned at the unveiling of the portrait of Mick Collins? The book on which the film was based first attracted the attention of David O. Selznick, who purchased it as a vehicle for Jennifer Jones. 78_portrait-of-jennie_jack-fina-and-his-orchestra-robinson-burdge-jack-palmer_gbia0118288a Location USA Scanner Internet Archive Python library 1.7.7 Scanningcenter George Blood, L.P. Check out our gallery of the 2021 Oscar nominees in the leading and supporting acting categories, as the characters they so brilliantly played and in real life. Portrait of Jennie by Robert Nathan 1,067 ratings, 4.06 average rating, 172 reviews Portrait of Jennie Quotes Showing 1-9 of 9 “What is it which makes a man and a woman know that they, of all other men and women in the world, belong to each other? A writer falls in love with a young socialite and they're soon married. Joseph H. August was also nominated for an Academy Award for Best Cinematography - Black and White. Portrait of Jennie It was covered by Ben Tucker, Jeff Libman, George Coleman featuring Ned Otter, Western Michigan University Jazz Orchestra and other artists. It stars Jennifer Jones and Joseph Cotten. Out of print on DVD. Dieterlé's film is magic itself.Borrowing from "Peter Ibbetson " (Hathaway,1935) ,from "the portrait of Dorian Gray" (Lewin ,1944,the final trick is the same)or from the "the Ghost and Mrs Muir" (Mankiewicz,1947) ,it succeeds in connecting all the links of the chain .Moreover,I'm almost sure that Richard Matheson saw this movie for its influence on his "bid time return" novel (transferred to the screen as "Somewhere in time" (1981) ) is obvious.A painter down on his luck meets a strange girl.Her clothes are old-fashioned and she seems out of nowhere .Dieterlé marvelously creates an offbeat poetic atmosphere.Using urban landscapes,an ominous sky or the stairs in the lighthouse shrouded in a green light,he 's got an extraordinary sense of mystery.The cast is ideal:Jennifer Jones was par excellence the romantic heroine ("Duel in the sun" which was the first time she had played opposite Cotten,"Ruby Gentry" "Madame Bovary" "Love is a many -splendored thing" ) with an adequate timeless beauty,Joseph Cotten could play everything ,and Lilian Gish made a short but conspicuous appearance as Mother Superior.The Cotten/Jones meeting in the convent could have been mushy and disastrous with any lesser talent:Dieterlé makes it a moving scene ,intimate and grandiose all at once.We all live with our past.Some of us would give everything to relive scenes of their past .Einstein told one day that time was the form of his powerlessness while space was the form of his power.Who knows if (and the lines which open the movie open any door) somewhere we are not living in our past,or in our future? 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