Yo sé que con el tiempo la herida se cura (por ley) Mami, respira hondo mientra' te lo escondo (eso e' así) “On the basis of his hopes, his dreams, and his achievements,” writes biographer James O’Neill in 1944’s This new film offers a corrective to those notions.
His wild dreams, as a colleague puts it, “lack funding.” His seeming contempt for money is contrasted with the attitudes of his rival, Edison, whose intellect is more amenable to investors and more attuned to the emerging realities of financial capitalism. “I believe in higher reality.
While Edison grabs newspaper headlines with widely publicized demonstrations of his electrical system (including electrocutions of horses, elephants, and the first death row inmate legally offed by electric chair), Tesla is reduced to demonstrating his technology in private drawing rooms full of bourgeois old ladies, like a traveling entertainer.
Tesla cowers, gulping heavily, visibly swallowing his pride. Pero postiao' a media cancha, baby, como Rondo (huh) He is, almost as a matter of course, spoken of in hyperbole that borders on the comical. For men like Morgan (who snatches up geniuses like works of art) or Westinghouse (who rips them off with a self-effacing, aww-shucks smile), men like Tesla are mere means to the end of lining their own already padded pockets. De tu nombre, tus besos, tu cuerpo, tus gemidos (oh) Lo hacíamo' en el carro, me gritaba al oído. De tu nombre, tus besos, tu cuerpo, tus gemidos (oh)
Tú me rompiste el corazón (me rompiste el corazón, ¡wouh!) ), mi cuerpo no te necesita (no)
It is not enough to want to change the world when everybody wants to rule it.
All humility, all dignity, is gone. The promise of shared profit between the venture capitalist and the entrepreneur is a myth. He cuts Tesla a fat check for $100,000, all the while cutting him down for his boastfulness and proven inability to return on investments. De tu nombre, tus besos, tu cuerpo, tus gemidos (oh) De mi vida te saqué, eh, eh (esta es la verdadera vuelta, nosotro' somos Los Mágicos, bebé, Real G4 Life, Casper ¡Hey!) But that’s just how he appears. This is a man who, the film insists, dreamt of nothing short of illuminating the darkest corners of the world, of lifting the dispossessed out of poverty, of engineering a transformation in society. finds Nikola Tesla (Ethan Hawke) humbling himself in the dimly lit chamber of robber baron J.P. Morgan (Donnie Keshawarz). Así como viniste tú te puedes ir (tú te puedes ir, yeh) When an argument between Tesla and Edison (the lantern-jawed Kyle MacLachlan) explodes and two men begin jabbing each other with ice cream cones, Anne interrupts to make clear that that’s probably not what Unlike Bowie’s Tesla, Hawke’s character is impoverished, quixotic, and woefully out-of-step with the financial realities of the age. Narrated by Anne Morgan (Eve Hewson), daughter of J.P. and confidant to Tesla, it frequently interrupts and comments on itself. Ya no sufro por amore', ahora rompo corazone' y sobran las pacas de cien (sobran las pacas de cien) Lo' nuestro' iba en un Bugatti y te quedaste a pie
I believe in the recklessness of great men.” Tesla, who believes the virtue of his rare intellect separates him from crass moneymen like Morgan, seems mortified. “I’m not a vagabond, come to beg,” he insists. Pal' carajo te mandé, eh, eh (¿tú me estás entendiendo lo que te estamos queriendo decir? Idioms from "Te boté (Remix)" 1. tocar fondo: Comments. Whereas much of playfully deploys old-timey rear-projections and deliberately theatrical stagings, this showdown unfolds in Morgan’s lavish Wall Street offices, a bracing bit of realism among the film’s bric-a-brac aesthetic of postmodern pastiche.
Arranca pal' cararajo (¡wouh!
Miento si digo que no me hace falta cuando me rozaba tu piel Me pasaré la vida entera preguntando a dónde fue. There is no private passion, nothing sacred, that cannot be accumulated by a man with deep enough coffers.
Aprovecho el remix con Ozu para mandarte pal' carajo también[Outro: Bad Bunny, Nicky Jam, Ozuna, Darell, *Nio García*, **Casper Mágico**] pal' carajo te mandé) To the inventor?
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